نا مربوط

جان من برید این صفحه رو ببینید...این الان چه ربطی به سازه های کابلی داره؟؟؟؟نه خدایی؟!شاید چشم بصیرت میخواد من ندارم!!خدایی کفرم بالا اومده از دست اینا.آدم از این همه بی ربطیش خنده ش میگیره!!

زیر سیبیل

اینها مجموعا همه ی اون چیزیه که به درد میخوره و فیلتر نشده.!یعنی ارشاد بهشون لطف کرده تا حالا !

جان مادرت فیلتر نکن!

به منظور حل کردن مسائل و معضلات پایان نامه م و فقط به خاطر علم به فیلترینگ ارشاد عاجزانه التماس مینکم سر جد تون این سایت های ارایه کننده ی دیتیل های سازه های خاص رو فیلتر نکنید!!!!!!!!!!!!بابا آخه پل و استدیوم و چندتا ساختمون که دیگه مشکل اخلاقی و سیاسی نداره که!خسته شدم بس که همه چی فیلتره...شیطونه میگه برم یه وی پی ان بخرم خلاص.شور گندشو مسخره کردن..!!!!!

Architecture: The Zero Energy Media Wall ~by Simone Giostra & Partners and Arup

ZERO ENERGY MEDIA WALLGreenPix is a groundbreaking project applying sustainable and digital media technology to the curtain wall of Xicui entertainment complex in Beijing, near the site of the 2008 Olympic Games. Featuring the largest color LED display worldwide and the first photovoltaic system integrated into a glass curtain wall in China, the building performs as a self-sufficient organic system, harvesting solar energy by day and using it to illuminate the screen after dark, mirroring a day’s climatic cycle.The Media Wall will provide the city of Beijing with its first venue dedicated to digital media art, while offering the most radical example of sustainable technology applied to an entire building’s envelope to date. The building will open to the public in May 2008, with a specially commissioned program of video installations and live performances by artists from China, Europe and the US.Resources: Green PIX, Simone Giostra & Partners, Arup

FormShift Vancouver: Proposal By Public Architecture + Communication

The architectural Institute of British Columbia together with the city of Vancouver recently held a competition to develop and improve the city’s livability through greener, denser development known as the 2030 Challenge.For the competition Public Architecture + Communication developed a point tower typology that is closely associated with the city.The project won a honorable mention in the category ‘Vancouver Wildcard’.All winning entries: www.formshiftvancouver.com.From the architects’ project description:‘The point tower has become the backdrop building typology most closely associated with Vancouver’s identity in the last 20 years. In a city that has adopted the high rise point tower as a typology for both dwelling and commerce, it is worth speculating how it would accommodate Vancouver at play. How does a building form frequently associated with a thin cloak of singular corporate modernism adapt to express the individual and affinities that form communities? In this context this proposal speculates about the character of emerging districts of work and public life such as the Broadway Corridor and asks the question what would a sustainable high rise community building look like?This proposal explores four distinct building programs integrated into a vertical topography – media tech, library, community broadcasting studio, gallery and theaters using the following framework:REEF individuals using a shared infrastructure like a coral reef, the core building provides weather stabilized vertical topographiesthat create a variety of spatial experiences and inhabitable spaces. Variation in cross section creates an array of spatial characteristics from large scale public performance spaces, to small, intimate and private spaces.JELLYFISH individual as collective Some Jellyfish, such as bluebottles, are actually a colony of four different types oforganisms that work together to survive and, as a result, express themselves as a single entity. Like a jellyfish, this building consists of four distinct buildings terrains that can be understood as a single entity. These terrains inhabit different sides of the cross section and overlook each other in longitudinal section. These terrains consist of a Performance and Events Center, a Media Center, a Research Library and an Interdisciplinary Educational Center. Each individual terrain further breaks down into three distinct zones: individual cells expressed on the facades, enclosed areas in the core for group work, and exterior covered spaces for meeting and activities beyond the scale of the enclosed spaces. Individual primary circulation cores give each terrain autonomy, while secondary circulation provides interconnection between and within terrains.LEAF BUG mimetic amongst the corporate towers Surrounded by corporate towers proclaiming singular entities, this building absorbs the built language that surrounds it. The scale is that of a corporate tower and the building expression references existing constructed languages of the Broadway corridor, including advertising billboards, hotels, gas stations, and car dealerships.However, rather than projecting a singular expression, it can be understood as school of fish.DANCE STEPS adaptability, movement, change as constant Core building programs are arranged when possible as open floor plans, creating large tiers of adaptable space with furniture providing definition to changing programmatic needs. These tiers spill into exterior covered spaces that are immediately adjacent. From the core spaces, bridges span to individual cells that express to the facade and can be expanded into a vertical favela.TRANSPARENCYThe building is completely open air and spatially permeable at grade. Facade screens shade and protect from weather, as well as generate electricity. Double glass facades enclose interior spaces but allow for air movement. Sustainability is demonstrated by living within climatic extremes and eliminating HVAC systems, except in localized zones requiring conditioning, such as computer labs.PUBLIC is an integrated design studio formed from the collaboration between architects and communication designers. We work together and separately on projects involving environments, brands and information. Our designers share space, resources and ideas.Further information and pictures about this project: www.formshiftvancouver.com.

Louvre Abu Dhabi Design by Ateliers Jean Nouvel, in Abu Dhabi, United Arab Emirates

Designed by Ateliers Jean Nouvel, located in Abu Dhabi, United Arab Emirates.The Louvre Abu Dhabi is sited at Saadiyat Island’s new Cultural District, developed as the world’s largest single concentration of premier cultural institutions. “Abu Dhabi’s ultimate goal in creating the Louvre Abu Dhabi, and indeed the entire Saadiyat Island Cultural District, is to build a platform for deeper and more meaningful exchange among people from our own region and from all parts of the globe,” stated Sheikh Khalifa bin Zayed Al Nahyan, President of the United Arab Emirates. “We move forward today with warm gratitude toward the people and government of France for joining us in the unprecedented cultural partnership that is creating the Louvre Abu Dhabi.”Designed by French architect Jean Nouvel, the Louvre Abu Dhabi will be a 24,000 sq m complex of pavilions, plazas, alleyways and canals ‘evoking the image of a city floating on the sea’. Hovering over the complex will be a form inspired by traditional Arabic architecture: a vast, shallow, perforated dome—some 180 metres in diameter.A ceremony attended by French President Nicolas Sarkozy and the Crown Prince of Abu Dhabi, General Sheikh Mohammed bin Zayed Al Nahyan marked the start of construction yesterday at the site of the Louvre Abu Dhabi, the first universal museum to be built in the capital city. In recognition of the importance of the event, the two world leaders accepted a time capsule for the museum from children of both the UAE and France.A presentation of Nouvel’s design, an illustrated talk and a guided tour of selected artworks to be displayed will be presented through 2 July in Gallery One of Emirates Palace. The building is set for completion in 2012/13.

فضای بدون مرز

شاید بشه گفت بیشترین دغدغه ی من توی طراحی مجموعه م اینه که با مبانی نظریم پیش برم.دیشب قبل از خواب و بعد از اینکه حسابی اوضاع جسمانی م بهم ریخته بود یه ایده جالب برای طراحی داخلی مجموعه پیدا کردم.یادمه وقتی دکتر رییسی داشت معماری معاصر درسمون میداد همیشه میگفت برای بروز معماری نباید دنبال کارهای عجیب و غریب باشید و نمونه ها رو تکرار کنید. ولی باید از نمونه ها ایده گرفت. برای همین با ساخت گنبد توی مساجد دوره ی مدرن اصلا موافق نبود. و میگفت این به جای یه سازه تبدیل شده به یه المان . بگذریم.توی مرکز ژرژ پمپیدو یه ایده ی جالب برای طراحی داخلی وجود داره که من اسمشو میذارم فضای بدون مرز . داخل این مجموعه دیوار وجود نداره. دیوار به مفهوم دیور سازه ای و باربر .تمام دیواره های موجود قابلیت اینو دارند که جابجا بشند. همه شون پارتیشن اند. سقف بلنده و دیوارها همه از بالا به سقف نمیرسند . آزادند.خوب که بیشتر به قضیه نگاه کردم دیدم ما ایده ی فضای بدونن مرز رو توی طراحی تخت جمشید هم داریم. تخت جمشید هم به عنوان یه فضای ترنسپرنت در نوع خودش و هم به عنوان یه فضای بدون مرز. خصوصا این مطلب توی تالارها - مثلا تالار بارعام یا تالار آپادانا - قابل روئت.خلاصه اینکه بنده فعلا بر این باورم که فضای داخلی دنیایی که با تکنولوژی در ارتباطه باید بدون مرز باشه. به قول یه دوست قدیمی مرز تکنولوژی جهل ماست...

ویکی هنگیده

اینم لطف جناب ویکی پدیا به یک دانشجو که داره تو سر خودش میزنه که موضوعش رو پیدا کنه.من نمیدونم چرا دست رو هرچی میذارم میپکه!!!حس ترمیناتور بهم دست میده!

رساله

شاید بیشتر از هر چیز نوشتن رساله برام سخته.چطور باید اینهمه اطلاعات پراکنده رو جمع بزنم....؟؟اگه کسی صدای منو میشنوه یه راهنمایی بکنه.

Museum of Contemporary Art Bahrain by Zaha Hadid Architects

All images, plans and information courtesy of Zaha Hadid Architects - see article for detailed credits. Copyright by desMena.The new Museum of Contemporary Art in Bahrain designed by Zaha Hadid and Patrik Schumacher.Design StrategyThe enigmatic volume emerges from a narrow coastal land stripe at the Gulf of Bahrain. Describing a gentle curve while gradually rising from the ground a volume is formed that bends slightly and reaches over the water towards Manama. The building appears mystically floating above a coastal landscape. Public fields flow around the sculptural mass of the museum, underlining its presence with curvy- linear lines echoing the contours of the volume. The overall dynamism and fluidity of the elongated form support the emphasis on movement through and around the museum.Forming a welcoming and inviting gesture, the main volume lifts up towards the main entrance in the north. The cantilevering volume forms a canopy and generates an open but shaded public zone at grade. This spatial configuration provides a natural separation of the gallery spaces from the more public, event and entertainment related parts of the museum. The lifted volume contains the three main programmatic units which are articulated as capsules within the compact overall envelope. These internal volumes are expressed through folds and protrusions in the modulation of the envelope, creating multiple ways of reading the building as a whole that is constituted by its integral parts. Embedded in the general building concept of the museum are qualities deriving from the traditional Islamic architecture found in close context to the site at the original houses of Al Muharraq. While the building unfolds a wealth of varied spatial sequences that supports the different aspects of a museum, it relates to the sophisticated traditional ways to control the strong daylight by use of geometric patterns and ornamentation.Hybrid Museum ConceptStarting with the arrangement and integration of the gallery spaces, the spatial concept of the museum works from the inside out. The scheme follows a hybrid concept, that is based on a detailed research on traditional and contemporary museum precedents on the one hand, and the awareness, that a truly neutral space that only serves the exposed artefacts, is impossible to achieve, on the other hand. The aim of this hybrid museum concept is to suit the brief of a building designed to house travelling exhibitions by providing galleries with distinct characters to enhance the visitor’s art experience as well as the artists creating and exhibiting their work.The shape and organization of the building allows for a continuous path through a series of day lit galleries and zones of diverse spatial qualities. The character of each space is defined and generated by the geometry and the proportion of the room itself, as well as by its relation to the direct context.Exhibition capsules providing self-contained spaces are imbedded in the envelope of the building. The interstitial space between these capsules and the outer skin itself becomes an exhibition space of continuously varying spatial qualities. Visual and physical connections to the non-exhibition zones of the museum and to the exterior with its scenic coastal landscape guarantee an exciting and stimulating art experience in every area of this museum.Locations & SurroundingsThe design seeks to create a visually arresting landmark that belongs inextricably to both the specific site and the overall urban situation. The Museum is located in a border condition between the dense and vibrant traditional urban context of Al Muharraq and the calm open view of the ocean and its sandy beach. At the same time, the project is located in between the two faces of the Bahraini culture, with its tradition and historical background on the one side, and the rapidly growing, contemporary city on the other. Located on land that has been reclaimed from the sea, the museum’s position allows for visual relations to Manama, as the site is facing the modern high-rises of Bahrain’s new capital across the water.In a position of transit, where the two faces of the Bahraini culture communicate with each other, the project aims to combine traditional Arabic architectural elements with contemporary and experimental spatial sensations to enhance the dialogue with the art of our time. As an ever-changing event space the Museum strives to become a gateway for the art and culture of Bahrain, strongly rooted in history and optimistically looking into the future.Museum of Contemporary Art [Al Muharraq, Kingdom of Bahrain]2007 - 2012PROGRAMME: Exhibition space for permanent and temporary collections, performance space, auditorium, education facilities, studios (artist in residence), offices, café, restaurant, museums retailCLIENT: H. H. Shaikha Mai Mohammed Al KhalifaCulture & National Heritage Sector [Bahrain]ARCHITECT: Design: Zaha Hadid with Patrik SchumacherProject Architect: Elke ScheierProject Team: Gerhild Orthacker, Jimena Araiza, Susanne Lettau,Hee Seung Lee, Alexander JanowskyCONSULTANTS: Lighting: Arup Lighting [London] Andrew Sedgwick, Jeff ShawDIMENSIONS: site area is 33414 m2floor area is 10000 m2DESIGN & CONSTRUCTION: Design start & finish dates September 2007- October 2010Construction start & finish dates October 2010 - October 2012VISUALISATION: moka-studiowww.moka-studio.comJuly 14th, 2009 | Tags: Zaha Hadid | Category: Architecture, Bahrain, L

Tondonia Winery Pavillion by Zaha Hadid in La Rioja, Spain

Designer for this building is Zaha Hadid in La Rioja, Spain. Rafael López de Heredia Tondonia Winery is one of the oldest and more famous winery in the Spanish region of La Rioja. To celebrate their 125th anniversary they decided to rehabilitate a very old store that the winery founder took to Brussel’s World Fair in 1910 and had been disassembled ever since.In 2002 current owners (direct descendants of the founder), discovered how beautiful the old store was and decided to built an exterior volume to house the old store. This would become the future wine store and a place where visitors could taste the great wines they produce. This pavillion is only part of all the project that will include three more tasting rooms and a cleaning room. More images and architect’s description after the break.The adage that from small beginnings many things may grow applies well to this project. The client, famous family bodegas of Rioja came to us with the intention of designing a pavilion to contain an older pavilion. The old pavilion had been found in their outhouses and restored to its original condition. It had been originally commissioned by the great grandfather for the world fair exhibition in 1910. The proprietors of the bodegas had a long succession of adding their built presence to the tradition of the bodegas.Architect: Zaha HadidLocation: Haro, La Rioja, SpainProject Architect: Jim HeverinDesign Team: Jim Heverin, Tiago Correia, Raza HadidLocal Architect: I.O.A. Arquitectura – Joan Ramon Rius, Nuria Ayala, Xavier Medina, Candi CasadevallClient: Rafael López de Heredia Tondonia WineryStructural Engineers: Jane Wernick AssociatesArea: 800m2Year: 2001-2006

Chokkura Plaza

In his signature style, architect Kengo Kuma celebrates material in this innovative design for an exhibition and assembly space in Tochigi, Japan.The design was largely inspired by the characteristics of its predominant material -- the Ooya stone.Project DetailsProject Name: Chokkura PlazaClient: The City of Shioya-gun, TochigiProject Type: Architectural DesignPrincipal Designer: Kengo KumaDesign Team: Kengo Kuma & AssociatesYear of commencement of project: March 2004Year of completion of project: March 2006Location of site: Takanezawa, Shioya-gun, Tochigi, JapanStructural engineering: Oak Structural Design OfficeFacilities Engineering: P.T.Morimura & AssociatesConstruction: Watanabe general construction / Kenmoku Stone Architect Co. Ltd.Site area: 2,968.47 square metersBuilt-up area: 669.85 square metersTotal floor area: 546.46 square metersMaximum Height: 8.18 metersUse: Assembly Hall, Exhibition SpaceThe Ooya stone is stacked in pairs and woven into a basket like surface.The BuildingThe Chokkura Plaza community hall is located near the Hoshakuji station. The Plaza provides for an assembly hall and exhibition gallery in a site already containing an abandoned rice storage house constructed in Ooya stone.A round-about is located at the west end of the site and its east exit is closed.Exterior view of the Plaza.The design attempts to create a sound building representing the image of the town through a careful use of material.View of the interiors of the community center.The design was largely inspired by the inherent characteristics of the Ooya stone, namely its 'soil' and 'porosity'.Unlike other stones, the Ooya stone is soft to touch with its softest portion- the 'miso'- formed of soil trapped within it.It also has holes similar to a sponge with the 'miso' being the largest of these. Owing to these openings, the stone surface is rather broken up in its texture.Steel plates form the broad skeleton of the structure and the stone surfaces are woven between them.The architect responds to the materiality of the Ooya stone through a design that traces the evolution on site -- from the existing block of the storehouse to the newer highly porous interventions.A soft and warm ambience that invites the user is induced in the space through the extensive use of this stone.Exterior view of the community center with the older storehouse in the background.A diagonal construction system is employed wherein the Ooya stone is stacked in pairs and woven together like a basket. Steel plates are used to create the broad skeleton of the building.The stone here emerges not as a mere cladding material but as an element integral to the structure itself.View of the interiors exhibiting the transition from the older structure to the newer, more porous interventions.Owing to varied site conditions and the properties of the stone the woven fabric continues to modulate.

Outstanding Modern Architecture by Plasma Studio of London

Modern architecture takes on two drastically differing forms for the designers and architects of London's Plasma Studio led by founders Eva Castro and Holger Kehne who work in conjunction with their second undertaking in Sesto near Bolzano, Italy, lead by partner Ulla Hell. In London "the multicultural staff is immersed in a fast-moving, diverse and urban culture, whereas in Bolzano- an area of outstanding natural beauty and strong local crafts tradition- the work is developed from engaging with nature, the landscape and local materials".Here are some of the completed renovations, ground up construction projects, and futuristic plans for upcoming residential homes and commercial buildings done since their inception in 1999. Plasma Studio is best known for its "architectural use of form and geometry using shifts, folds, and bends to create surface continuities that are never arbitrary but part of the spatial and structural organization". For the Silken Hotel Puerta America 4th floor project in Madrid completed in 2005 well known names in the design arena like Foster and Partners, Zaha Hadid, Chipperfield, Jean Nouvel, Arata Isozaki, Ron Arad, and John Pawson were commissioned to create each floor of the hotel, giving free rein to their creativity in the development of the rooms and floor as a whole. See more of their past, present, and future architecture and designs here.

نزدیک

لحظه دیدارنزدیک است..باز من دیوانه اممستم..باز میلرزد دلمدستم..باز گویی در هوای دیگری هستم..های مخراشی به غفلت گونه ام را تیغ..های مپریشی صفای زلفکم را باد..آبرویم را مریزی دل..ای نخورده مست..لحظه دیدار نزدیک است..

اتاق کنترل

Initiative In Design - 13Control Room         شناسنامه کار:     Arch-group &ABTBKrymov M. D., Gorjainov A.V., Bashkaev T.ILocation: Moscow, RussiaThe customer: “Moscow United electricity network company”Total area: 1500 м2Designing: 2008Building: 2008-2009     در این پروژه فضایی خشن و قانون مند به طرز بسیار جالبی تلطیف شده است و فضا برای کاربران آنها جاذب گشته است. جایی که همه چیز در چارچوب معینی، اجرا می­شود، معماری ظرافت خود را به نمایش می گذارد. شاید در نگاه اول این پروژه همچون استودیوهای پخش برنامه های تلویزیونی به نظر رسد ولی در حقیقت این طرح مربوط به اتاق کنترل شرکت برق مسکو می باشد. این فضا به مساحت 320 مترمربع و شامل دو سکو است. کل فضا شامل شش حوزه کاری است. بر روی دیواره های آن نیز اطلاعاتی در مورد شبکه برق شهر در هر لحظه در حال نمایش است. دیواره ها از 36 دستگاه پخش و ویدئو تشکیل یافته است، بر روی آنها اطلاعاتی در مورد شبکه برق شهر در هر لحظه در حال نمایش است. سقف نیمه مات است و سیستم روشنایی در زیر آن قرار دارد. این پروژه با در نظر گرفتن کاربری آن دارای طراحی ارزنده ای است.                                         اولدوز فضلعلی

درخواست دفاع

به اطلاع دانشجویان محترم کارشناسی معماری که در شهریورماه درخواست دفاع از پایان نامه رادارندمی رسانیم که آن دسته ازدانشجویانی که تمایل دارنددرنیمه دوم شهریور دفاع نمایندازتاریخ7شهریورماه تا9شهریورماه مهلت دارندفرم اعلام آمادگی خود راپس ازتاییداستادراهنماوآموزش وcdحاوی مدارک پایان نامه به آقای چهل مهران تحویل نمایند.تحویل پایان نامه جهت ژوری ویژه 2تا 3شهریورماه می باشدباتشکر گروه معماری

چند نقاشی از علی خیابانیان

یک عالمه ظه حدید!!..... ولی نه در معماری(2)

ICONE BAGParis, France2006Photography © Werner HuthmacherZ–ISLANDLondon, UK2006Photography © Courtesy of DuPont CorianSEAMLESS COLLECTIONLondon, UK2006Crest Bench, Photography © Jack CobleODRUPGAARD BENCHLondon, UK2004–2005Ordrupgaard Bench, Photography © PP MØBLERVORTEXX CHANDELIERLondon, UK2005Photography © ZumtobelAQUA TABLELondon, UK2005Black Production Table, Photography © Dan Toben SmithZ-SCAPE ICEBERGLondon, UK2003Ice-Berg, Copper Scheme, Photography © Sawaya & MoroniMAX PROTETCH BENCHLondon, UK2003Photography © Eli-Ping WeinbergTEA & COFFEE PIAZZALondon, UK2003Photography © Courtesy of AlessiZ-SCAPELondon, UK2000Moraine, Glacier & Stalactite, Photography © Courtesy of Sawaya & MoroniTEA & COFFEE SET FOR SAWAYA & MORONILondon, UK1996–1997Photography © Marcela Spadaro

Theater Space Built From 28 Shipping Containers

DESIGN & ARCHITECTURE (prefab) Images from Platoon via ArchdailyI have always been a bit dubious about shipping containers as architectural elements; my dad used to make them and I grew up around them, and thought that the dimensions were all wrong for people; there was not much that you could do in a 7'-6" interior (or so I thought). Also, they are monocoque construction; the walls are the structure. So when you start taking the walls out and replacing them with beams, pretty soon you have little more than the idea of a shipping container. That was my first thought when I looked at Platoon Kunsthalle , an arts facility by Graft Architects in Seoul, Korea, built from 28 shipping containers.The building uses the containers as a kind of building block, surrounding enclosing the space. The interiors of the containers are used for washrooms, offices and smaller uses.Looking at the construction photos still raises a lot of questions.Are they new containers, made specifically for the building? They sure look like it. This would negate the main benefit and feature of container structures, that they use an existing resource that is in oversupply.And this is Korea, a net exporter of containers where they are NEVER in oversupply; like China, containers go one way out of this country and pile up in the net importer countries.But it is a terrific looking prefabricated system that can be assembled quickly, even if they are custom built.It does appear to be insulated (the plans show some thicker walls) and the section shows radiant heating in the floor, but I cannot see any mechanical spaces or rooftop equipment. Nor does there appear to be any ductwork, which given the limited height inside shipping containers, would be visible in the open spaces. So it would appear that there is no air conditioning. In Seoul? Perhaps the uses of the building don't need it:PLATOON KUNSTHALLE provides showcases of underground artists, studio residencies and a fine selection of cutting-edge stage performances to introduce the energetic potential of subculture in Korea and Asia.Ultimately it is a big steel tent of a performance space built out of steel boxes, and a very attractive one at that. But I am not yet convinced that the idea of building it out of shipping containers is much more than an aesthetic gesture or a really practical, economical and functional building system.More pictures at ArchDailyMore Shipping Container Architecture:Crate Expectations: 12 Shipping Container Housing IdeasLottery Tower is Built From 55 Shipping ContainersBsq. Office in a Shipping ContainerContainer Housing Jumps the SharkRedondo Beach House by DeMaria DesignPush-Button House: Now a Cafe, Coming to New York CityContainer Condo To Be Built In Detroit

پرده موزاییکی

LX Mosaic ScreenTsai Design Studio / South Africa                              آرش پوراسماعیل